She was forcefully reminded of how much she disliked mystic ponds, but she wouldn’t back out now. Zuri shivered as she stepped into the water. Close perspective is more immersive and intimate than distant narration. The narration doesn’t mention the character just to state they are thinking, feeling, hearing, or seeing something, because the narration already reflects that. The narration is largely indistinguishable from character thoughts. In brief, narrative distance is whether you are narrating as the character or about the character.Ĭlose perspective is firmly in a character’s head, reflecting their experiences. The narrative premise being used usually has a strong impact on narrative distance. This will help you both write the narration you want and spot inconsistencies. I have some examples of these mix-ups, but before you review them, let’s look at all the subtle ways unfolding events is different from a retelling character or all-knowing storyteller. Other times, they’re trying a new narrative premise, but they don’t quite complete the transition. In some cases, this happens because the writer decides to write in first person or third person and doesn’t examine their choices further. Often, it’s unclear what kind of narration a writer is intending. In a narrator identity crisis, the lines between these premises are blurred. Alternately, your narrator could be a character in the story, experiencing events as they happen, with readers observing them from inside their head. In third person, your narrator might be a storyteller with perfect knowledge of the story world, telling the story to a real-world audience. Third Person: Omniscient Storyteller vs Unfolding Events.Usually this mix-up happens in past tense, but I’ve seen it in present tense. Alternately, your character might just be experiencing events as they happen, unaware that readers are observing them. With first person, a future version of the character could be telling a story from their life to an audience in the story world.
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